KinoKultura
Special Issue 19: The Cinema of Sakha (Yakutia), edited by Caroline Damiens and Csaba Mészáros
Introduction by Caroline Damiens, Csaba Mészáros: The Cinema of the Sakha Republic
Articles:
Liubov’ Borisova: « The Magical World of Sakha Cinema »
Csaba Mészáros: « The Middle World of Film: Ontological Poetics, Live Landscapes, and Sentient Beings in the Language of Movies »
Ekaterina Romanova: « Mythopoetics of Yakutia’s Cinema: The Topoi of Landscape and Experience »
Eleanor Peers and Gela Krasil’nikova: « Exploring the Locality: Music, Place and Life in Ajyy Uola and Don’t decipher love »
Sardana Savvina: « The Films of the Sakha ‘Kinoboom' »
Liubov’ Lobanova and Petr Romanov: « Yakutia’s Audiovisual Center Turns 25 »
Interviews
Caroline Damiens and Csaba Mészáros: Interview with Aleksei Romanov
Caroline Damiens: Interview with Sardana Savvina
Reviews
Aleksei Romanov: Maappa (Maappa, 1986) by Maria Sibiryakova
Anatolii Vasil’ev: Summer Homestead (Sajylyk, 1992) by Liubov’ Borisova
Aleksei Romanov: Middle World (Orto Dojdu, 1993) by Csaba Mészáros
Ellei Ivanov: Cursed Land (Setteekh sir, 1996) by Csaba Mészáros
Sergei Potapov: My Love (Liubov’ moia, 2004) by Maria Sibiryakova
Anatolii Sergeev: Path of Death (Tropa smerti, 2006) by Eva Ivanilova
DetSAT: Keskil and its sequels (2007-2013) by Kyunnei Filippova
Siuzanna Oorzhak: Leaving Hong Kong (Pokidaia blagoukhaiushuiu gavan’, 2011) by Rachel Morley
Galina Okhlopkova: Cinema Has Arrived! (Kiine kelle!, 2017) by Caroline Damiens
Stepan Burnashev: Republic Z (Respublika Z, 2018) by Adelaide McGinity-Peebles
Published with the support of University Paris-Nanterre, Institute of Ethnology – Research Center for the Humanities (Budapest), Research Center Europes-Eurasia (INALCO, Paris)